| Heron in brief
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It all began in 1967. Maidenhead was a hotbed of indifference, and young people had nowhere to go – so the Dolphin folk club was born. Poetry, music, discussion, frantic antics, drugs and sex... |
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Folk music was a natural magnet to songwriters and performers who had little experience, but lots of enthusiasm.
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Fans of the Incredibles, Dylan and the like, their songwriting talent soon started to appear. |
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- their experiments with sound all lead to a deal with Dawn Label. Heron becomes Roy, Tony and GT. |
...Heron don’t enjoy the studio experience – everyone too “fragile” creatively to cope - so decide to record only in fields! "HERON" DNLS 3010 the album is born... |
LP is a runaway failure, so compound problem by recording a double album for the price of one - with session pals Terry Gittings and Mike Finesilver. |
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Band loses impetus – joins Shusha (minus Steve but plus Martin) Time passes - the rest of the world think it’s all over – but what do they know? |
Late 70’s early 80’s Heron (plus Steve minus Martin) teams up with Terry Clarke to gig folk clubs and Elephant Fair (elephants do forget...) |
![]() Record new cassette – for promotion and sale. "Open up the Road" |
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More quiet spells. Terry leaves to follow solo career. Enthusiasm wanes – gigs drop to one or two a year – mainly West Dean College |
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![]() "River of Fortune" CD |
Fast forward a few years…. "In a Field of Their Own" |
"Black Dog" CD |
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All this leads to website, contacting fans worldwide – who’d a’ thought? – and the unenvious task of getting noticed amidst the millions of other hopefuls. |
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HERON music is largely acoustic, pastoral and distinctly English. Their music is perfect for creating that laid back, “no worries” feeling - the sound of HERON ringing out over a summer’s sunny day brings a sense of security into an insecure world... |